This is a reply to part of Drm’s Fansubs and YOU. This is an unresearched discussion on why using licenses as a basis for when to stop fansubbing is silly. It’s also my selfish indulgence as a law student based on what little I’ve learnt in my Intellectual Property Law course… which I haven’t even finished.
The rest of the season July 22, 2006Posted by Lupus in Anime, Ramblings.
add a comment
Quick, one paragraph reviews of the rest of the first episodes I’ve seen this season.
Coyote Ragtime Show
Pure, distilled action anime awesomeness. Cheesy yes, crappy no. Twelve robot gothic sisters with WoMD? Check. Strong, independant woman with giant mamaries? Check. Mysterious protagonist with cool sidekicks? Check. Girl with really, really annoying voice? Check. All the ingredients for a great season of fun and blowing shit up is there, how can this fail?
Zero no Tsukaima
I see a lot of people calling this Shakugan no Tsukaima or Zero no Shana. Regardless of how good Shana was, there is no reason to let the fact that the same voice actors are taking the lead together again cloud over this anime’s own brilliance (must admit I got strong Shana vibes when Louise said “Urusai!” though). This isn’t going to be a Suzumiya Haruhi, let alone a NGE, but as long as you watch it for its cheesy merits, you’ll enjoy it for what it is – a well produced, shallow, but ultimately enjoyable romantic comedy.
Muteki Kanban Musume
Made me laugh. Hard. So hard that I thought my spleen would come out. I love the OP – don’t bash this OP! It’s brilliant! I really don’t know why I love this so much, I mean, it’s bad. But in a good way. It’s bad but it’s good. Or maybe it’s so bad that it’s good. I don’t know, you know what I mean. This is a dark horse that might even win the best show of the season.
I was tricked. This is just bad. I can’t even put my finger on why it’s so bad – the overly dramatic performance? The inane characters? The ridiculous setting? Whatever, dropped.
Honey and Clover II
I don’t like the new character designs; I prefer the first season’s which were more authentic to the manga. The substance is still there though, and that is what makes Honey and Clover so outstanding. They could replace the characters with Sesame Street puppets for all I care, I would still watch it. As long as Big Bird gets to play Hanamoto-sensei.
The Importance of the First Episode July 17, 2006Posted by Lupus in Anime, Ramblings.
The other day, while i was hanging out in the AnimeNano IRC channel (#firstname.lastname@example.org), I was told that I wasn’t worthy of watching anime. A harsh thing, to say that someone isn’t worthy of enjoying a particular form of entertainment. What did I do to earn this ire? I stopped watching Zegapain after two (2) episodes.
Kaminagi is cute, I’ll give you that much
The End of Suzumiya Haruhi’s Melancholy July 5, 2006Posted by Lupus in Anime, Ramblings.
Tsuruya is so awesome, despite never doing much at all. Nyorero~n
Finally, the controversial series comes to a close with Suzumiya Haruhi no Yuutsu VI, which is chronologically the 6th episode, but wraps the series up nicely with a conventional climax. The series overall left me with a good feeling – it was funny, well produced, well directed, and all round good fun.
What am I watching for the summer season? June 27, 2006Posted by Lupus in Anime, Ramblings.
Everyone’s doing their summer season line-ups, so there’s really no reason for me to post links and pics to every single summer season show. This post is to summarise what shows I’m likely to watch, and in what order of anticipation.
The only Hachikuro fanart I can find on danbooru and it’s loli-Ayu. At least Hagu only LOOKS loli.
1. Honey & Clover II
Honey and Clover
Is so awesome that no words
3. Hachikuro II
Can do it justice.
4. Hachimitsu to Clover II
5. NHK ni Youkoso!
The manga started a little depressing but very funny. Now, in its fourth volume, I find it far more depressing than funny, as both Satou’s and Misaki’s problems really come to the fore. I’ll be watching this anyway because it is Welcome to the NHK!, but I don’t know if I’ll have the power to persevere through an entire season of it.
6. Coyote Ragtime Show
With a name like that and such strong production value, this is looking like it could be in the vain of similarly named Cowboy Bebop and Samurai Champloo. If it ends up like those shows than it will definitely be worth watching.
I’ve been brainwashed by Ayyo. [zombie]cool x sweeeeet.[/zombie]
I hate harem show, but at least this one looks like it’ll be pretty, and possibly even funny. Hopefully on top of the prettiness it’ll have some substance to back it up.
9. Otogi Jushi Akazukin Bundan
I saw sketches for this in a magazine a few weeks ago, and I fell in the love with the cute but detailed character designs. I downloaded the first episode of the OVA but I still have to watch it. Again, hopefully there’s enough content to allow me to stay awake through the oh-so-pretty moving pictures.
This short list doesn’t mean I won’t watch the other shows, just that there is very little incentive for me to download them. If a show gets really good reps, I might give it a go. Hopefully there will be as many quality shows this season as there were last!
Fillers, popularity and profits May 23, 2006Posted by Lupus in Anime, Ramblings.
Anime, in terms of how much story they can pump out each week, moves much faster than manga. An average episode of anime might contain as much story and action as two to three chapters of manga, and this means that anime based on manga often catches up to their original, run out of things to base themselves, and leave the production team with a dilemma:
Do we do ‘fillers’, or do we stop the anime?
Filler as I use it here means “original content not found in the manga, used to fill up the time needed for the manga to develope more storyline.” Two very popular shows are now in their filler arcs: Naruto and Bleach.
While Bleach has decent filler contents, Naruto fillers suck. Naruto fillers has been going on for a long time now, ever since Sasuke ran off to Orochimaru, and tries to fill up the two years left blank by the manga. The quality has very apparently decreased – the drawing loses consistency, the animation quality drops off, and the story becomes absolutely laughable.
Why did Studio Pierrot decide to make their own story, instead of waiting for more manga material to work with? The answer is obviously profit, the thing that drives all corporations. As long as popularity for the series continues, advertisements, tie-in merchandise and other sources of revenue will continue to generate a profit for both the studio and the TV station broadcasting the show.
But such low quality production is as likely to make the show unpopular as it is to keep up its popularity. A lot of people followed the Naruto anime, but once it entered the fillers arc, these supporters began to drop in numbers. It has become so unpopular around here now, you can’t even find any of the newer episoders on the *cough* legal *cough* file sharing network at my university. On the other hand dozens of people share the manga and good television shows like Prison Break.
If, like I said, popularity wanes due to the existence of such filler arcs, wouldn’t it be better to stop producing the show all together until there is more content to work with? Many fans who are pushed away by the fillers simply would not come back, because they have lost faith in the show. That means that when the story resumes there would be less people watching the show and buying its merchandise, which leads to less profit for the companies.
Maybe the answer is that overall, the profit from running fillers are better than not showing the show at all. Afterall, with a second season to air after a long time (and Naruto fillers have been running for a looooong time) popularity will take time to gain its momentum again. Also, during the time when the show leaves the public’s mind, tie-in products would probably suffer more devastating sales drop than if they continued to show inferior fillers.
But all this profit comes at the cost of the anime’s – and the production studio’s – goodwill and reputation. This is probably a cost that many in management never thought about. While the Naruto and Bleach manga continue to suceed and gain popularity, the fillers are slowly but surely destroying the anime’s reputation – and its fanbase. Maybe by the time the original story rolls around again, there will only be a few hardcore fans left, and Naruto might never attain its immense popularity again.
(I also have thoughts on anime that don’t have enough manga material ending, but that’s another story altogether.)
Before I’m zerged by hundreds of raving Haruhiists out seeking the blood of their god’s enemies, let me say that I enjoy the show a lot, and hold it in very high regards.
But I have no doubt about it: The Melancholy of Haruhi Suzumiya is overrated. Despite all that it has going for it – interesting story, likeable characters (Mikuru is annoying as hell though), excellent direction and execution – Haruhi and her merry friends are unlikely to find a place in the Pantheon; at least not in my Pantheon. It is an excellent show – but I don’t think it’s as good as everyone makes it out to be. And no, I’m not just saying this to be different.
What Suzumiya lacks is CHARM. Oh sure it has that applenty in its various characters, but what I mean is that feeling you get when you watch something that really strikes a chord. I got it when I watched Neon Genesis. I got it when I watched Azumanga Daioh. And I get it with every single Studio Ghibli movie I’ve watched.
What really set those series apart from the competition is that they are (or were) different and unique. Evangelion is the father of the whole “mind-fuck” genre, and still, to my mind, unsurpassed in mind-fucking. Azumanga is a unique comedy that isn’t LAUGH OUT LOUD funny (though it’s often that), but an innocent funny that brings a smile straight from your heart. Ghibli movies take often used themes and ideas, inject them with a large doze of childhood and imagination, and reaches out and connects with your inner child.
Suzumiya doesn’t touch me in that way (though I would let the three girls touch me in whatever way they want). It doesn’t grab my attention – and my imagination – and run with it. Despite its roster of divinities, aliens, espers and time-travellers, Suzumiya Haruhi is still essentially a generic schoolyard comedy slash mystery.
Neither of its parts are particularly great: the jokes are, particularly Mikuru’s continue harassment, a bit hit and miss (I think it’s the timing). The mystery fails as a focus because we don’t (and probably won’t) really find out much about the nature or origin of Suzumiya’s powers. The mixing up of the episodes seems no more than a gimmick to me, though I’ll have to wait till the entire show is done to draw any conclusion on this part. Mikuru tries too hard to be moe.
The sum of the parts are more than the parts alone, but it’s still not enough to generate a resonance in me. That is the heart of the problem. I want to love Haruhi, I want to laugh at all the jokes, I want to fall head first into the mystery – but alas, that important something is missing.
I admit I’m drawing early conclusions, but so are the people who are declaring Haruhi their new god.